Overview
When young journalist Cleo Sander is assigned to cover the popular AR game "Hidden Space," she has no idea what she's getting into. Her investigation quickly takes her behind the game's glittering facade and into the orbit of the Scio-Kartell, a ruthless group of hackers. Every new contact and piece of information pulls her deeper into a maelstrom of political corruption and digital surveillance. In this dark neo-noir thriller, the lines between hunter and hunted blur as Cleo races to expose the truth before she disappears into the shadows herself.| Produktion: | Rosenberg Entertainment e.K. |
| Regie: | Fabian Rosenberg |
Stills
Subsumption
The visual language of "Hidden Space" is defined by a fundamental dichotomy that mirrors the film's thematic core: the sterile, controlled world of institutions versus the chaotic, unpredictable underworld. Scenes in the newsroom and political contexts were deliberately captured with a steady, often static camera. A cool, almost aseptic color palette emphasizes the supposed objectivity and order. In contrast, the world of the Scio-Kartell is characterized by the organic, almost feverish unease of a handheld camera. Here, the camera becomes the protagonist's subjective companion, directly translating her growing paranoia and loss of control to the audience.
To achieve this look, a cinematic aesthetic was employed, enhanced by the use of classic lenses with characterful rendering—including a softer bokeh and subtle flares—which create a visual warmth that contrasts with the cold, digital theme. The lighting consistently follows the principles of motivated light; real sources like lamps, screens, and streetlights define the scenery. In the darker confrontations, negative fill was used strategically to create harsh shadows according to the principles of chiaroscuro, isolating the protagonist and visually amplifying the ever-present threat.
Stylistically, the project is an homage to neo-noir and the conspiracy thriller, transferring its visual paranoia into the modern era. The camera is not merely a passive observer but an active storytelling tool that traces the main character's emotional journey. The visual language thus becomes a metaphor for the film's central conflict: the individual's struggle against an invisible, overpowering system in a world where the boundaries between reality and the digital space have long since collapsed.